Applications of a Connectionist Model of Poetic Meter to Problems in Generative Metrics :: Poem Poetry Poet Meter Metrics Essays

Applications of a Connectionist Model of poetic Meter to Problems in Generative MetricsMeter is one of the near distinctive formal features of English verse. Yet theoretical approaches to metrical abstract have proved problematical for a number of reasons. Traditional poetic rhythm, base upon scansion systems derived from Latin forms, is strong and flexible in its ability to describe case-by-case units of a line, but fails to describe well the dynamics of the line as a tout ensemble and the lexical and syntactical structures which underlie that line. Moreover, traditional metrics does not address the general issue of metricality most lines of poetry rise some variation from metrical norms through the substitution of irregular units ( much(prenominal) as a trochee opening an iambic line). When do such variations, which argon tolerable in individual units, render the line as a whole unmetrical? Generative metrics does address these issues by analyzing underlying lexical an d syntactic structures and formulating rules to describe altogetherowable and unallowable metrical transgressions. In this way, the theory defines metricality, distinguishing between lines which are metrical and those which are not. This approach has had some success, and yet counter-examples, lines which are unmetrical by its analysis but are found to be used by poets, have proved somewhat intractable. Generative metrics is not, moreover, well commensurate to describing verse in its actual carrying out. While generative metrics does explanation for some of the factors that affect the metrical rhythm of a line of poetry, such as lexical stress and the syntactic structure of a textual unit, it does not have a place for opposite features which may wedge on the step of stress that a syllable receives in performance, such as rhyme, alliteration, repetition, and the readers interpretation of the significance of the word in the poem. Any or all of these features ma y affect the speakers decision to give a certain intumescency to the word, a prominence which will be realized in performance by stress. Moreover, since stress is measured in comparison to adjacent units, the aggregate of stress given to one unit will affect other units in its immediate environment. One reader of Keatss line, My heart aches, and a inactive numbness pains may stress heart, rather than aches this will affect the amount of stress given to aches.